The ultimate reading of the work is an exploration of lost or unrequited love; in not drawing the water I refuse to ackowledge the passing of time. I attempt to remain close to the subject of my desire at least in time. In
I’m also interested in the bench as a symbol of absence and presence at the location. The photograph of the bench represents a place in which one sits or waits. The
In describing the work in detail on this blog the work itself is only partially made; it is itself unfulfilled or un-realised. As someone who reads this text you then are given the ingredients to imagine the work and a future in which it exists, as a result you unwittingly participate in imagining; so your full experience of the work is unrequited.